Jul 31 2005
iTunes Music Store is Evil
I’ve read these things before, but it wasn’t until I bought a CD from the iTunes Music Store, and encountered it’s ugliness first-hand that I can begin to appreciate just how awful it really is.
I bought “Totally Whipped” by the Blenders. Finding a cappella discs from thirteen years ago isn’t so easy; I only ever owned a bad tape dubbed from a bad tape of this music, and couldn’t find it when I was looking for it in high school. When I found the disc on the iTunes Music Store, I was ecstatic.
Of course, each track has a burst of static at the end of it. The product is flawed. I have not been able to get through to any kind of support at Apple for this. I paid $10 for a CD that has a burst of static at the end of every track. This is bull*hit.
Of course, I can’t edit those tracks. Why? They’re protected by the FairPlay DRM scheme—Digital Rights Management. Whose rights, though, is this meant to protect? You see, it renders the song unplayable on anything except 1) my Powerbook, 2) an iPod owned by me, or 3) up to 4 other computers I choose to “Authorize.”
Of course, after upgrading to OS X 10.4, my Powerbook became another computer. So, I’ve now authorized two computers to play this music, even though they are both the same computer.
Complete and total bull*hit.
I’m not purchasing anything else through the iTunes Music Store. I want my $10 back for the tracks that are faulty (or new tracks that aren’t), and I can’t stand the fact that the system can’t tell the difference between my Powerbook running 10.3, and my Powerbook running 10.4. Hell, it isn’t like the MAC address of the ethernet card changed.
Digital Rights Management is simply a way for Big Music to control how we listen to music which we, as consumers, have otherwise paid for the right to listen to how, where, and when we want to. There is no other way to say it. And, because they give Senators more money than you and I, the votes of Big Music count for more than your vote at the ballot box.
Comments Off


